Al Stewart
Thursday - Saturday at 8pm. No Opener. Pharaohs receive preferred seating.
Event Showtimes:
The Egyptian Theatre has no third-party ticket sales affiliates. We cannot guarantee third-party tickets will be valid. The Egyptian has no taxes or services fees on any ticket.
If public seats are sold out, please call the box office to join the Pharaohs or our waitlist.
Thursday pricing: $39/House & Balcony, $49/Preferred, $59/Cabaret Table
Friday pricing: $45/House & Balcony, $55/Preferred, $65/Cabaret Table
Saturday pricing: $53/House & Balcony, $59/Preferred, $69/Cabaret Table
Tickets increase $5 half hour prior to show time.
All sales final, no refunds! Exchanges may be made for the same show, different date only. 24 hours notice must be given to the box office prior to original ticket date plus any price difference.
Artist page:https://alstewart.com/
Ask Al Stewart to sum up where he is now, musically speaking, and you’re likely to wind up two steps behind where you started; this is by no means an unusual circumstance in conversation with Al, keenly aware as he is that making a leap forward often entails taking a step backward. Sometimes it’s into the library stacks where the late historian Ms. Tuchman dug for material. Sometimes it’s into the record stacks where the late rocker Mr. Cochran made his mark as a teenager singing his “Summertime Blues” so many summertime’s ago.
Al Stewart came to stardom as part of the legendary British folk revival in the sixties and seventies and developed the combination of folk-rock songs with delicately woven tales of the great characters and events from history. Stewart has 19 studio albums between “Bedsitter Images” in 1967 and “Sparks of Ancient Light” in 2008, plus the live album "Uncorked" with Dave Nachmanoff in 2009.
Al continues to tour extensively around the U.S. and Europe. He is perhaps best known for his hits ‘Year of the Cat” from the Platinum album of the same name and the Platinum follow up album “Time Passages.” But his career spans four decades as a key figure in British music. He played at the first ever Glastonbury Festival in 1970, worked with Yoko Ono pre-Lennon and shared a London apartment with a young Paul Simon.
“This venerable singer-songwriter is still doing what he does best, and clearly his best is as good as ever.”
— Miami Herald